Author Archives: Grainne Goodwin

Meet the Social History Editorial Board: Professor Samuel Cohn on ‘Epidemics: Plagues of Hate, Plagues of Compassion from Antiquity to the Present’

Jews, Nuremberg Chronicle   (1493), Stiftung Weimarer Klassik, Herzogin Anna Amalia Bibl., Sign. Inc. 119, f. 230v

Jews, Nuremberg Chronicle (1493), Stiftung Weimarer Klassik, Herzogin Anna Amalia Bibl., Sign. Inc. 119, f. 230v

Samuel Cohn is Professor of Medieval History at the University of Glasgow, where his interests include the history of medicine and histories of popular protest in medieval and early modern Europe. He is the author of eleven monographs, most recently Popular Protest in Late Medieval English Towns (CUP, 2013) and Cultures of Plague: Medical Thinking at the End of the Renaissance (OUP, 2010). He is currently working on a Major Research Fellowship from the Leverhulme Trust to complete a project on ‘Epidemics: Waves of disease, waves of hate, from the Plague of Athens to AIDS’. In this blog post he discusses that project and the research he has been conducting recently.

What are you working on at the moment?

 A scholarly consensus persists: across time, from the Plague of Athens to AIDS to the present, epidemics provoke hate and blame of the ‘other’. As early as the late Enlightenment, the Danish-German statesman and scholar of antiquity Barthold Georg Niebuhr (1816) proclaimed: ‘Times of plague are always those in which the bestial and diabolical side of human nature gains the upper hand.’ [1] In a famous article in Annales (1952), René Baehrel reasoned: epidemics induce ‘class hatred (La haine de classe)’; such emotions have been and are a part of our ‘structures mentales… constantes psychologiques’. [2] With the rise of AIDS in the 1980s and 1990s, this chorus resounded. According to Carlo Ginzburg, ‘the prodigious trauma of great pestilences intensified the search for a scapegoat on which fears, hatreds and tension…could be discharged’. [3] Dorothy Nelkin and Sander Gilman claimed, ‘Blaming has always been a means to make mysterious and devastating diseases comprehensible’. [4] Roy Porter concurred with Susan Sontag: ‘deadly diseases’ especially when ‘there is no cure to hand’ and the ‘aetiology… is obscure…spawn sinister connotations’. [5] And most recently, from earthquake wrecked, cholera-hit Haiti, Paul Farmer concluded: ‘Blame was, after all, a calling card of all transnational epidemics.’[6] Many other scholars and public intellectuals can easily be added to this consensus. The problem is: these pronouncements have been based on few examples—sometimes, the Black Death and the burning of the Jews, 1348-51; sometimes, the rise of Malfrancese (or Syphilis) at the end of the fifteenth century; sometimes, a handful of cholera riots of the nineteenth century; and AIDS in the 1980s (but based almost entirely on the U.S. experience).

What have you been finding?

For several years I have been engaged in a study of the socio-psychological reactions to epidemic diseases that cuts across the canonical periods of history—Antiquity, Middle Ages, Early Modernity, and Contemporary History. From a wide range of sources, I have been collecting thousands of descriptions of epidemics as early as the ‘great pestilence’ during the First Dynasty of Pharaoh Mempses, c. 2920 BCE. Against the grain of the historiography, I am finding that few epidemics spurred hatred against the ‘other’ or indeed against any insiders. Instead, before the nineteenth century and the ‘laboratory revolution’ of the 1870s, when epidemic diseases rarely, if ever, had effective cures and most were medically mysterious, my research reveals the opposite: such outbreaks tended to dissolve class conflicts (at least for the course of the epidemic) and to elicit compassion and self-sacrifice.

What about the Black Death?

Indeed, the Black Death of 1347-51 was the striking exception, not only for the Middle Ages, but for any epidemic or pandemic across time and space. But with numerous successive waves of plague during the later Middle Ages and Renaissance, its mass terror against Jews or against any other minorities was not repeated. However, as early as 1530 and into the seventeenth century, accusations of intentional plague spreading (‘engraisseurs’ in France; ‘untori’ in Italy) emerged, even if the numbers accused or executed never approached those of 1348-51. This early modern rise in accusations, trials, and execution of supposed plague-spreaders was not the result of ‘ideas and fantasies’ tumbling forth from isolated alpine foyers as Yves-Marie Bercé once alleged. [6] Not only did such accusations arise in cities near the Alps as with Geneva, Lyon, and Milan, they spread with early modern plague in Toulouse, Rouen, Palermo, Messina, Madrid, Rome, and other places awaiting to be studied. More importantly, their impulse had nothing to do with imported ideas or individuals from backward places outside cities. Instead, with the backing of physicians, university-educated judges compiled and authorized the accusations, imposed the tortures, and executed the victims. During Milan’s plague of 1630, where trial transcripts survive, one of Europe’s most advanced health boards, steeped in the latest scientific knowledge about plague contagion and its mechanisms of transmission, gave ‘scientific’ credence to the allegations and supported the executions. In addition, the accused were not ‘outsiders’ but ‘insiders’, beginning with solid native-born skilled artisans and ending with young bankers and even the son of one of the most important military leaders of the city.

What then of modernity?

With the spread of cholera across great swaths of Europe from 1830 to 1837, epidemics’ social toxins became more widespread and virulent. This explosion of hate and blame, however, did not in the main target any ‘other’. Rather, it was a class struggle, whose arrows of hate shot in the opposite direction. Across radically different social and political regimes from Czarist Russia to Liberal Manchester, impoverished and marginal groups such as Asiatic Sarts, newly arrived in cities and villages of the Crimea, and Irish Catholic immigrants in Glasgow, Edinburgh, Liverpool, London, and New York imagined the state allied with physicians and health workers concocting a new disease to cull the poor and thereby lower the state’s welfare expenditures. In riots often numbering in the thousands, the targets of these labourers and others living on the margins were physicians, nurses, pharmacists and public officials from the police to regional governors, with cholera hearses, hospitals, and town halls ritualistically broken to bits or burnt to the ground. These riots were not exclusive to the cholera’s first major European tour of the 1830s, when the disease was new and mysterious. In Italy they persisted to the sixth cholera wave in 1910-11, long after its pathogenic agent and preventive measures had been discovered. Moreover, in later waves of cholera, the Italian riots were no longer confined mostly to Sicily as in 1836. They, instead, fanned across southern Italy and reached places north of Rome such as Segni and Civitavecchia, spread into Tuscany and as far north as Piedmont. With these, the same mythologies as seventy-five years earlier of doctors poisoning the poor fuelled these riots of Italy’s last major cholera wave. In Russian history such riots endured even longer, well into the Soviet period, and in Latin America, they surfaced during the seventh wave in the 1990s.

Did other epidemic diseases exhibit such disastrous social toxins?

Cholera was not the only disease to spawn hate and violence into the twentieth century, even after their pathogens, modes of transmission, and effective preventive measures had been discovered. For the United States smallpox was its disease par excellence of hate, and its social toxins burst forth not when the disease was scoring its greatest moralities as during the colonial period or with an epidemic of the early 1850s that spread across the United States and killed a third of Hawaii’s population. Instead, numerous riots and acts of violence exploded with this disease in epidemic waves from the 1870s into the first decade of the twentieth century, that is, at the very moment of the laboratory revolution’s scientific breakthroughs. Again, suspicion and hate spread along class lines, but now hate’s class nature switched directions. Property holders from farmers to merchants comprised ‘the mobs’, while the victims were among the marginal—‘tramps’, ‘negroes’, Bohemians, and the Chinese. Unlike in cholera riots, when the rebels saw themselves as the patients’ liberators, triumphantly processing them from supposed poisonous hospitals back to their homes, with smallpox riots, the disease’s victims were doubly victims, persecuted by elite vigilantes and often shot or burnt alive in makeshift smallpox hospitals. In addition, other epidemic diseases such as modern plague, especially in India and China from 1894 to the 1920s, Poliomyelitis in the United States with epidemics in 1907 and 1916, and typhus in Nazi Germany sparked hatred, blame and violence. In each case the disease’s social toxins possessed their own distinctive traits and targets.

So what big epidemic killers in modern times have inspired compassion and self-sacrifice instead of hate and violence?

Far from all epidemics of modernity divided populations or sparked blame and hatred. Two of the most deadly yellow fever pandemics to race across southern states in America, with New Orleans at the centre in 1853 and Memphis in 1878-9, brought blacks and whites together in mutual support and respect and saw contributions and volunteers pour in from the north as well as other southern states, creating martyrs to the plague, eulogized in the stricken southern cities’ newspapers and later commemorated with works of poetry, paintings, and sculpture. Despite its monumental mortalities and mysteriousness with its usual symptoms, quickness of death, peculiar age structure of its victims, and extraordinary contagion, the Great Influenza of 1918-19 failed to ignite hatred of victims, doctors, nurses, municipalities or against any other ‘others’. Instead, massive waves of volunteers, especially women, risked, and in many cases lost, their lives to assist and comfort the afflicted. Instead of erecting divisions, this highly contagious, deadly pandemic dissolved divisions as volunteers eagerly crossed state and international borders and broke barriers of class and ethnicity. El Paso, October 1918, is a case in point. Against the rising tide of anti-Mexican sentiment, the growth of the Klu Klux Klan, and nationalist fervour brewed by the Great War, debutants and middle-class girls and ladies ventured into the worst-hit Mexican neighbourhoods to deliver food, sweep floors, clear bed-pans, care for children, and nurse the dying.

So why does this study matter?

I aim to challenge the one-dimensional and trans-historical consensus that presently dominates the study of epidemic diseases’ social toxins. Even with the growth of epidemics’ hate-nexus in the nineteenth century, some diseases tended to provoke hate and blame, while others beget remarkable acts of compassion. Why has Ebola, for instance, recently provoked violence against clinics and health workers (April to December, 2014)? Was it something to do with Africa as many health workers now believe? Rather, the history of cholera readily demonstrates that such reactions have had a long heritage in Europe, and in places, well into the twentieth century. What characteristics of epidemic diseases are more likely to spark violence and blame? Just as different diseases affect our bodies differently, so too they tend to affect our collective psychologies differently. From this simple axiom, my work intends to open and explore this field of historical psychology with new and systematic research. It is a field that must cross the canonical barriers of historical chronologies and ultimately must become global history.

References

[1] R. Baehrel, ‘La haine de classe en temps d’épidémie’, Annales: E.S.C., 7,3 (1952), 351-360.

[2] C. Ginzburg, ‘Deciphering the Sabbath’, in B. Ankarloo and G. Henningsen (eds) Early Modern European Witchcraft: Centres and Peripheries, (Oxford, 1990), 121-138, 124.

[3] D. Nelkin and S. L. Gilman, ‘Placing blame for devastating disease’, Social Research, LV (1988), 362-378.

[4] R. Porter, ‘The case of consumption’, in J. Bourriau (ed.) Understanding Catastrophe, (Cambridge, 1992), 179-203, 179.

[5] P. Farmer with J. S. Mukherjee, Haiti after the Earthquake, (New York, 2011), 191.

[6] Y.-M Bercé, ‘Les semeurs de peste’, in Jean-Pierre Bardet and Madeleine Foisil (eds.) La vie, la mort, la foi, le temps: Mélanges offerts à Pierre Chaunu, (Paris, 1993), 85-94.

Wrestling with history by John Griffiths

Publicity photo of Earl McCready by Crown Studios 1935

Publicity photo of Earl McCready by Crown Studios 1935

My recent article in Social History 40:1, which explored the introduction of ‘All-In’ Wrestling in North America, Europe and the Antipodes brought to light some of the benefits of adopting a transnational approach to historical inquiry. I would like to explain in this post why I chose to explore this ‘sport’ and why I think it is of significance.

A few years ago I published an article on dancing and dance halls in the inter-war years.[1] This was provoked by a curiosity as to what the popular pastimes in these two decades were. It was during the research for this article that I read what to me appeared a rather curious publication called New Zealand Sporting and Dramatic Review – an antipodean variation of a British publication.  Why was it curious? Mainly for the fact that it combined coverage of what I at first regarded as two distinct realms of popular culture ‘News from Hollywood’ and ‘News from the Wrestling World’. I contemplated such an odd combination for some time and came to the view that there was something these two rather odd bedfellows did indeed share –  ‘escapism’ from the mundane.  As I read more about the wrestling world I began to see that ‘All-In’ wrestling, which emerged at the end of the 1920s in the USA, was a way in which promoters competed with the cinema for an audience; an audience by then in thrall to melodrama with its attendant heroes and villains. American footballers who wanted to keep in shape in the off-season could supplement wages by using their tackling skills in the wrestling ring, and promoters could find stooges to take a fall from a flying tackle. It wasn’t too long before wrestling circuits were put in place linking the USA wrestling scene with the Australian and New Zealand market, but reactions to the new style were not uniform across the Anglo world.

Antipodean Wrestling

Using the digitialized newspapers provided by the Trove (National Library of Australia) and Papers Past (National Library of New Zealand)  a substantial body of evidence was relatively quickly amassed which began to shed light on audience reaction to ‘All-In’ in Australasia.  The project really came alive however, when I became aware of the Vern Ross archive held in the Hocken Collections at the University of Otago Dunedin. This archive contains some 55 boxes of material relating to international wrestling and most valuably held two or three boxes containing runs of American and British wrestling publications.  It became clear on examining the evidence, that local tastes were a significant variable when it came to the question as to whether this rather wild wrestling style was accepted. Whilst the style was accepted in Australia, it was substantially modified in New Zealand, where popular taste favoured a more ‘scientific’ or cleaner style. The role of the judiciary and the police in New Zealand played a more significant part in ensuring that the wilder ‘All-In’ was prevented from appearing. Thus, New Zealand tended to represent a half-way house between British reactions, where ‘All-In’ was at first treated with caution before being banned in 1938, (so too in South Africa in the same year) and Australian where it was accepted without any real questions being asked. Consequently, the case of wrestling tends to confirm a wider thesis that Australia had (and is?) influenced by American popular culture to a greater extent than in New Zealand, which retains a British sporting culture.

Perhaps one influence in the realm of wrestling which shaped local taste was the extent to which audiences would suspend disbelief in what they were seeing, or put another way ‘believe a lie’. The relatively large Scottish Presbyterian immigrant population might have played a role here, as Scots did wrestle at Caledonian games, but would not have wished to con the crowd by feigning falls and submissions. Another factor in this is the ‘cult’ of the science of exercise that gripped many parts of the world until at least the outbreak of the Second World War. The wrestling magazines depicted to readers how to perform a variety of orthodox wrestling holds. New holds were also developed. If they were seen as legitimate they could make a wrestlers name.  (New Zealand wrestler Lofty Blomfield developed the ‘Octopus clamp’ with which he became associated in the 1930s for example). Given this knowledge some audiences wanted to see these holds performed legitimately on the stage and did not want to see burly men simply throwing each other out of the ring, eye-gouging or even setting about the referee.  Where wrestling journalism that celebrated scientific wrestling put down roots might have influenced local taste. American promoters could not simply send wrestlers to the antipodes who would flout local taste, as it often led to contract termination and effectively deportation.

The local and the transnational

The question of what ‘shapes’ local taste is a complex one that I am still pondering. In other games, sporting cultures are also seen to diverge, for example the rejection of the kicking game in the southern hemisphere in relation to rugby union, (particularly in New Zealand where it’s seen as ‘bottling it’), the Australian refusal to use a night-watchman in cricket (a more recent innovation I think?), the fact that only Australians seems fascinated by Aussie Rules football (and really only in the State of Victoria) and even more topically, the way games are run.  At the time of writing a furore has broken out over the issue of whether the cricketer Kevin Pietersen should play again for England, which has resulted in accusations of gentlemanly buffoonery within the English Cricket Board from the likes of Piers Morgan and others. Would the Australians get in such a pickle?

Writing transnational history is possible to a greater extent than ever before, because of the digitalization projects of the respective National Libraries around the globe. Students do not need huge grants to undertake this kind of research any more. The transnational approach does not need to be limited to the sporting realm either of course. My 2014 publication Imperial Culture in Antipodean Cities examined how successfully or indeed unsuccessfully British imperial culture was projected within the antipodean city.[2] Here too, the Trove and Papers Past projects were an invaluable starting point for the research.

Dr John Griffiths is Senior Lecturer in History at Massey University.

References

[1] J. Griffiths, ‘Popular Culture and Modernity: Dancing in New Zealand Society, 1920-1945’, Journal of Social History, 41, 3 (2008), 611-632.

[2] J. Griffiths, Imperial Culture in Antipodean Cities (Palgrave Macmillan, 2014).