Recently, I had the chance to see Jacques Feyder’s 1923 masterpiece Visages d’enfants at a genuine 1920’s palace of film, the Louxor cinema in the Parisian district of Barbès. The film had been freshly restored due to the inimitable Serge Bromberg (more on his efforts to preserve and publicise forgotten classics of the black and white era can be found at Lobster Films) who also accompanied the screening on piano.
I was amazed to see how seriously the director Feyder and his screenwriters Françoise Rosay and Dimitri De Zoubaloff had taken the concerns and preoccupations of their child protagonists. Continue reading