
In 1413 Jean Aubert, resident of Dijon faced what many would consider to be their worst nightmare: both the untimely death of his spouse and a fiscal evaluation of his marital household. Then, as now, any emotional upheaval had to give way to an impersonal process, the drawing up of an inventory cataloguing and valuing household objects. Such a process may well have been made all the more distressing by the presence of witnesses in the form of heritors and neighbours and from watching objects with emotional attachments being reduced to mere numbers. The only trace of this sensitive moment lies in a rather dog eared, terse, and at first glance, potentially dull document which is but one of hundreds of inventories held in the archives of Dijon that describe objects room by room.
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