
My article for the latest issue of Social History focuses on Limerick lace to explore how women religious (or nuns) used the lace to bond women together, across the Irish diaspora, as designers, manufacturers, and consumers. It uses the wearing of lace veils to consider how women used fashion to present different assets of their identity to the world, particularly on special days like their wedding. In 2014 I wandered around the farmers’ market at the Abbotsford estate on the outskirts of Melbourne. While I knew that Abbotsford had been a convent, I didn’t realise that it had been home to Irish members of the Good Shepherd order, a Magdalen Laundry, schools, and a workshop which made Limerick lace, a prized textile worn by the aristocracy. The religious estate brought together workshops, schools, ‘reform’ institutions, and religious housing in order to both fund and minister to the women and children of Melbourne. It is these links, between reform, finance, and ministry, that are focused upon in ‘Something borrowed: women, Limerick lace, and community heirlooms in the Australian Irish diaspora’.
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